Monday, February 15, 2010

Artist Watch - Anne Gibbs

Welsh artist Anne Gibbs came to The Clay Studio for three months to work as our guest artist in residence. Anne was an absolute delight, charming everyone with her beautiful Welsh accent. My Mother was in Wales this past month visiting my Grandmother and met up with Anne for a cup of tea. It was great to hear that she might be visiting in March for NCECA  festivities.
  
Household Implements (study 3)                  Tinctus series: Red ribbon

 I was reminded again of how much I loved Annes work while unpacking one of her pieces at The Studio this week. I needed to measure the work and get a vitrine made for our April show of  current and past resident and guest artists.
          
              Tinctus series: Comb and buttons              Household Implements (study 1)

I was able to watch Anne make her work from start to finish while she was in Philadelphia last year.  She collected forms to build on to, changing both the form and its references. In some cases she remakes the form. Placing new form next to old, remade next to original.
 Dwelling (Ravel)                      Tinctus series: Crucible
The objects Anne makes are domestic in nature, spoon and nails as well as her own invented forms that reference womens work such as sewing and kitchen duties.
 
    Made Do and Mend              Tinctus Series: Comb and Buttons
                                                                                     
The finished pieces are newly made but feel old, imbued with history and a past life. Collections that tell a story of time, place and moment.
An excerpt from Anne Gibbs artist statement
"The traditions of the domestic and ‘the home’ remain a major source of inspiration in my work. I was brought up in an ex-mining community in the South Wales Valleys where life was often driven by hard labour and there was little time for celebration. Therefore I am drawn to objects, which remind me of special occasions, for instance the bone china tea set which suggests pleasure and refinement. I contrast the beautiful bone china object (cup) against the ritual of domestic chores, cleaning and bleaching, suggesting that the act of refinement is often followed by a gritty reality."

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